美国海军陆战队法兰(艾德•哈里斯 Ed Harris 饰)将军因不满政府对退伍、战死军人及其家属的补偿和福利不满,率领部下将美军最新研制的生化武器――VX毒气弹――偷运到罗克岛,劫持了81名正在该岛观光的游客,控制了该岛。要挟美国政府48小时内支付1亿元赎金否则将杀死人质并用毒气弹袭击旧金山。
罗克岛之前曾是美国防卫最严密的监狱,易守难攻。美国政府偶然从档案中发现前英国特工梅森(肖恩•康纳利 Sean Connery 饰)曾顺利从该监狱出逃,于是他们请来了梅森,要求他30小时之内带领特种部队攻占这座“魔鬼岛”…
曾经的约翰(卢克·威尔逊 Luke Wilson 饰)是一名风光无限的商人,偌大的豪宅,漂亮的妻子,可爱的女儿,当金融危机爆发之时,约翰所拥有的这令人羡慕的一切都在转瞬间成为了巨大的负担,他和妻子之间原本美满的感情也产生了裂痕。
经历了糟糕的一天后,约翰拖着疲惫的身躯回到家,这时,一个名叫里奇(塞缪尔·杰克逊 Samuel L. Jackson 饰)的陌生人拦住了约翰,希望得到他的帮助。让约翰没有想到的是,里奇竟然是一名杀手,可是,里奇却并没有杀死约翰,正相反,在莫名其妙之中,约翰和里奇一同踏上了一段充满了鲜血和杀戮的恐怖旅程。随着时间的推移,约翰渐渐开始怀疑,他和里奇之间的相遇究竟是偶然还是必然。
Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald Pleasence), an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston's brother, Mick (Alan Bates) - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders. Eventually Aston, himself irritated by the cantankerous old man, puts him out.
凯丽(卡雅·斯考达里奥 Kaya Scodelario 饰)和男友马克(Daniel Boyd 饰)之间的感情非常的要好。一天,凯丽突发奇想想要给马克一个惊喜,于是,在没有告知马克的前提下,她偷偷的潜入了马克家中。
哪知道,等待着凯丽的,竟然是一帮穷凶极恶的犯罪分子们。原来,以卡伦(艾德·斯克林 Ed Skrein 饰)和西恩(多格雷·斯科特 Dougray Scott 饰)为首的歹徒们将马克所居住的豪宅选定成为了打劫的目标。马克和他的家人们全部遭到了控制,但是凯丽却是一个意外,歹徒们并不知道这幢房子里还存在着这样一个自由人,这也就意味着,马克一家人的性命,全部掌握在了凯丽的手中
Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa Körner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions: What is truth? What is heroism in the time of war? And all the while he fails to see the mounting danger before him.